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The Commitments |
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Of all his films, “The Commitments” has always been my favorite one, maybe because I could identify with it the most, but more so because of its sincerity and authenticity. |
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blacks of Ireland. North Dubliners are the blacks of Dublin,” he states emphatically to get his message across, as his bandmates look at him in blank stares. |
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tricks of the trade to get them to play in bigger venues, and one day the chance of a lifetime comes up. Their hero, soul legend Wilson Pickett is in town for his own tour, and has promised to play with the band during one of their gigs... or is it all just another one of Joey “The Lips”’ make-believe stories? |
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with the viewer. The way Parker goes about building up the story to its finale is tastefully and masterfully choreographed to create the musical density the film needs, while leaving enough room to tell the story of the people involved. The energy and chemistry created by these people results in a powerful mix that actually creates a “band” rather than a bunch of actors posing as one. It is easy to spot that these folks know how to play their instruments and that the expression on their faces is real and honest. |
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the quality of the acting is amazing, creating very natural characters that are at home in the run down low-life suburbs of Dublin. Shot entirely on location in Dublin, this film is a great lesson that not everything in Europe is as clean and rosy as it appears from postcards either, if you have ever had a romanticized view on Europe as a whole. |
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natural. The disc shows off deep blacks that give the image a great depth with good and well-balanced highlights that never appear overly harsh - other than what Parker had intentionally tried to create. No compression artifacts or chroma noise is evident in the transfer, resulting in a great presentation of the movie on this DVD. |
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October 28, 1999 |
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© 1997-99 by “DVD Review”. All rights reserved. |
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