Soldier




	Soldier


	Review by Darius DeMartini

Soldier (1998)
Warner Home Video

Length:        99 mins.
Rated:          R
Languages: English, French
Subtitles:     English, French
Format:       Anamorphic Widescreen/ Pan & Scan
Extras:         Theatrical Trailers
                      Production Notes
                      Commentary Track


	Paul Anderson is the director behind the highly visual sci-fi/horror thriller “Event Horizon” and in his latest film, “Soldier” he is teaming up with Kurt Russell for a new science fiction action spectacle. Being a blend somewhere between “Escape From New York” and “Rambo”, “Soldier” contains some very atmospheric images and I was looking forward to see how Warner Home Video’s release of the film on DVD turned out.

	“Soldier” sets up a great premise by introducing us to a hospital nursery where a

number of babies, crying to be cradled, are taken away by unmoved, stiff, uniformed military personnel. It creates a strong contrast between these different generations of human beings and immediately gets you interested in what’s about to happen. The children are then raised in inhumanly surroundings, perpetually brainwashed and conditioned to be emotionless and unwavering. Brutal physical training finally trims their physique into shape, until in their early twenties, these children have become the ultimate war machines.

Todd (Kurt Russell) is one of them and having fought countless battles he has seen all facets of war and death under the hard command of Captain Church (Gary Busey). One day, a new, supposedly better breed of “Soldiers” is ready to enter the arena, and preposterous officer, Colonel Mekum (Jason Isaacs), is challenging Church’s men to fight his new ultimate warriors. Both officers pit their best men against each other, and after an exhausting contest and a fierce confrontation, Caine607(Jason Scott Lee) claims victory over the presumed dead Todd. Todd is

	unceremoniously becoming part of society’s trash and dumped on a remote planet that is used as a giant junkyard.

	In this environment Todd tries to survive and encounters a peaceful community of people who manage to survive in the hostile environment of this planet. All of a sudden completely stripped of everything that made his life worth while, and stripped of all superior direction, Todd has to face a life that is completely new to him. He has to deal with people that have emotions he doesn’t understand. While this scenario would lend itself to a great study of human character and nature, director Paul Anderson sadly decides to simplify the film confronts Todd with his own past straight-forwardly. Instead of portraying Todd’s change and attempts

	to adapt to his new surrounding, he treats us to a few minutes of compassion, a few overly emotional moments, until within the next minute, he opens the throttle to the action once again. The squad new breed of soldiers is ordered to the exact same planet Todd is on, for a strategic training. With the instruction to simply kill everything in sight, in order to avoid paperwork, the men start attacking the innocent and defenseless civilians. To save their lives, Todd becomes a one-man army and ultimately faces off against Caine607 once again.


	“Soldier” contains a large number of stunning visual images. From the harsh and cold interiors in the military camp, to the deserted plains of the junkyard planet, the film is sure to please the eyes. The apocalyptic styling is working very effectively and especially the trash warrens suggest a scale of friendly homeliness amidst the steel junkyard and the hostile geographic surroundings. Unfortunately the script could have used some clean-up to rid the production of its dialectic in the middle part, and clichés that sometimes break the illusion.

Stoic and without much dialogue, Ken Russell portrays the emotionless Todd quite well. It is a part somewhat reminiscent of his well-known Snake Plissken character in John Carpenter’s “Escape From New York”, essentially showing us a survivalist against all odds, who is not a friend of many words, and doesn’t give away any of his feelings. He is once again the hero and anti-hero at the same time, coming from a dark background with the ultimate anticipation to save the day. Not really an innovative approach, but with Russell in the lead, it is nevertheless a formula that still works pretty well.


	All in all, “Soldier” is pure adrenaline action cinema. It doesn’t answer questions, it raises them and leaves them dangling. It doesn’t really solve conflicts, it eradicates them. It doesn’t establish dimensional characters, but much rather cuts them out and pastes them in the film. “Soldier” is what we have come to expect from Hollywood action movies. Shallow in the narrative, easy on the intellect, and straight-forward in its approach, it is a film that dazzles the mind and numbs the senses.


	Warner Home Video have released “Soldier” on this disc in an anamorphic widescreen version in the film’s original, theatrical 2.35:1 aspect ratio. The image is flawless and despite many of the atmospherically lit interior shots and the murky underworldly scenes on the trash-planet, the disc always maintains all the shadow detail you could ask for. The picture is sharp and well defined with strong colors and well saturated hues. The color reproduction on this release is absolutely faithful and nicely reproduces the harsh cold tones in the film’s beginning, as well as the

	more sandy color schemes used later perfectly. The compression is very well done, exhibiting no noticeable sign of pixelation or other digital artifacts.

	“Soldier” contains a very well produced 5.1 channel soundtrack. As you would expect from an action movie of this time and age, the soundtrack has very good spatial integration, making good and aggressive use of the split surrounds. It also has very good bass extension below 25Hz and especially during the heated battle scenes, this should give your subwoofer quite a bit of work to handle. The disc also contains an interesting audio commentary track with director Paul Anderson, co-producer Jeremy Bolt and co-star Jason Isaacs.

Just like in his last movie “Event Horizon”, director Paul Anderson regrettably does not live up to the intense thrill he tries to create in his movies, and rather scratches the material’s surface, only to make way for more visceral effects and a large number of clichés. I am saying this not to turn you off the film, but to get your expectations right for this film. “Soldier” is a self-glorifying hero-saves-the-day movie with big explosions and beautiful images, but no depth at all. As a popcorn movie for its visceral sakes and action elements, it clearly delivers the goods well paced, well staged and with some impressive visuals.


		April 1999


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