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Saving Private Ryan |
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The film opens with one of Steven Spielberg’s trademark furious action sequences that immediately establishes the tone for the entire film. He has used this opening technique in practically all of his films, pulling the viewers in from the first minutes with breathtakingly suspenseful action and awe-inspiring precision. The opening sequences of films like “Jaws”, “Raiders Of The Lost Ark” or “Jurassic Park” all show this ingenuous and masterful signature. |
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onto the beach of Normandy while NAZI fire is relentlessly hailing upon them from all sides. |
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Immediately the film establishes an almost documentary feel through the highly liberal use of a handheld camera and an offset shutter speed. It feels as if you are witnessing the bloody and grueling events through your very own eyes. You witness soldiers being blown to pieces in front of your eyes, you see the desperation and terror in the eyes of the wounded, dying and the living. |
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It seems entirely hopeless and the carnage is beyond description until eventually a small group of soldiers manages to take out one of the German bunkers and opens a passage behind enemy lines which subsequently allows them to take out the enemy. While we savor the glory of the moment, Spielberg also vehemently reminds us of the sacrifices it took to get there. Mind-numbing camera sweeps over mutilated bodies drifting in the blood-red surf of the Atlantic Ocean and the screams of the wounded are a harsh reminder that this victory came at a price. And yet, the war was not over, it was only the beginning of the end, and countless other bloody battles had to be fought. |
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oblige. What follows is an intense adventure into the heart of the war where people from all runs of life have to make decisions over life and death. |
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breathtakingly obvious how a handful of men try to make the impossible happen, but at the same time it shows us that 5 short seconds can make a difference between life and death. In many of the film’s instances you will find yourself wondering “If he had waited for just another moment, he would still be alive!” |
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I believe it is needless to say that “Saving Private Ryan” is a very impressive and devastating film. It is a powerful anti-war drama, although it sets the main focus on the heroism of the men in the front lines as opposed to an obvious subtext. |
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Sadly the soldiers who went ashore in Normandy did not have much of a choice. Their goal was to fight for freedom, a very valid goal, indeed, and Spielberg makes it very clear throughout his film that what these men were fighting for was for the better of the entire world. There is a very big difference between being the aggressor and the defendant. There is no such thing as a good or necessary war. Nothing will ever justify any war, because they are always started by fanatics with little common sense leaving the defending side little or no choice. |
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impressive presentation. The image quality is superb, faithfully reproducing the film’s original gritty look. Many parts of the movie have been desaturated in order to achieve a more authentic, subdued look. It almost feels as if everything is covered in dust and ashes, which is basically what Europe has looked like during the War. It also adds to give the film a rough feel that pulls the |
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Featuring a 5.1 channel Dolby Digital soundtrack, “Saving Private Ryan” is offering an aggressive and highly dynamic mix that is just as flawless as the video presentation. Especially during the battle scenes you will hear bullets zing around your head and the constant rumble of grenade and cannon impacts all around you. Throughout the film the disc makes good use of the surrounds, although in a rather subtle manner in the quieter parts of the film, only to barrage the audience again minutes later from all directions. It’s clearly one of the best and most dynamic multi-channel surround mixes out there. Once again Spielberg drew upon |
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sharing the emotional experiences they made throughout the shooting of the film, this featurette ultimately drives the importance of the film home. |
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an amazingly talented filmmaker, and another fabulous release from Dreamworks Home Video that belongs into every DVD owner’s library. |
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October 1999 |
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© 1997-99 by “DVD Review”. All rights reserved. |
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